Wednesday, 21 May 2014

Mash-Up

Mies’s signature phrase means that an understanding and appreciation of nature, has more impact than Complexity and Contradiction in Architecture. Elegance, he believed, did not derive from abundance. Like other modern architects, he employed inherited artistic conventions, through form and colour, represent nature in art.
Robert Venturi, who had teasingly answered Mies van der Rohe’s dictum “understanding and appreciation of nature” by declaring “design small and efficient spaces” published a book calling for less decoration, properly deployed and clever employ modern materials such as metal, glass.

John Ruskin believed that all great art should communicate to the landscape where the building located. Buildings were not just independent, he said; they could inspired by environment. As such,  architecture should respect nature, adapt environment, combine with nature, through more decoration, materials, symbolism, color, pattern response nature when form Architecture.

Tuesday, 6 May 2014

capturing images + textures used in modle + relating drawings









3 textures used in model

light

meduim

dark

Relating drawings:





36 custom textures







parallel projections and Electroliquid Aggregation

Demonstrate the relations between environment, human, and religion by changing materials and the height of building.
 Form a simple open space by using different materials but greatly combine with each other


A compare that religion can lead various materials to a simple form(represent the pure) but human relations are complex even the materials simplex.


12 axonometrics Sketch and concepts

using varies materials combine with environment and using multiple forms of unclosed space division.

vertical emphasis to highlight relations between human beings and god, and  also emphasize the importance of religion. 

Uses a combination of numerous materials but keeps them in their pure and simple form


Changes materials, such as Stone, to create ornament and forms that are symbolic of (religion, nature, universe) rather than reflective of the material itself.
Spatial complexity is evident in clear proportions and shapes leading from each other.

Enclosure of space is minimised by the abstract geometry and avoids solid divisions.